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Jeff Koons, ‘Hulk (Wheelbarrow)’, 2004-2013, Gagosian
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Jeff Koons

Hulk (Wheelbarrow), 2004-2013

Polychromed bronze, mixed media and live flowering plants
68 × 48 × 84 in
172.7 × 121.9 × 213.4 cm
Location
New York, Beverly Hills, San Francisco, London, Paris, Le Bourget, Geneva, Basel, Rome, Athens, Central, Hong Kong
Want to sell a work by this artist? Consign with Artsy.
About the work
Medium
Sculpture
Image rights
© Jeff Koons, Photo by Rob McKeever
Jeff Koons
American, b. 1955
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Jeff Koons plays with ideas of taste, pleasure, celebrity, and commerce. “I believe in advertisement and media completely,” he says. “My art and my personal life are based in it.” Working with seductive commercial materials (such as the high chromium stainless steel of his “Balloon Dog” sculptures or his vinyl “Inflatables”), shifts of scale, and an elaborate studio system involving many technicians, Koons turns banal objects into high art icons. His paintings and sculptures borrow widely from art-historical techniques and styles; although often seen as ironic or tongue-in-cheek, Koons insists his practice is earnest and optimistic. “I’ve always loved Surrealism and Dada and Pop, so I just follow my interests and focus on them,” he says. “When you do that, things become very metaphysical.” The “Banality” series that brought him fame in the 1980s included pseudo-Baroque sculptures of subjects like Michael Jackson with his pet ape, while his monumental topiaries, like the floral Puppy (1992), reference 17th-century French garden design.

Jeff Koons, ‘Hulk (Wheelbarrow)’, 2004-2013, Gagosian
Save
Save
Share
Share
About the work
Medium
Sculpture
Image rights
© Jeff Koons, Photo by Rob McKeever
Jeff Koons
American, b. 1955
Follow

Jeff Koons plays with ideas of taste, pleasure, celebrity, and commerce. “I believe in advertisement and media completely,” he says. “My art and my personal life are based in it.” Working with seductive commercial materials (such as the high chromium stainless steel of his “Balloon Dog” sculptures or his vinyl “Inflatables”), shifts of scale, and an elaborate studio system involving many technicians, Koons turns banal objects into high art icons. His paintings and sculptures borrow widely from art-historical techniques and styles; although often seen as ironic or tongue-in-cheek, Koons insists his practice is earnest and optimistic. “I’ve always loved Surrealism and Dada and Pop, so I just follow my interests and focus on them,” he says. “When you do that, things become very metaphysical.” The “Banality” series that brought him fame in the 1980s included pseudo-Baroque sculptures of subjects like Michael Jackson with his pet ape, while his monumental topiaries, like the floral Puppy (1992), reference 17th-century French garden design.

Jeff Koons

Hulk (Wheelbarrow), 2004-2013

Polychromed bronze, mixed media and live flowering plants
68 × 48 × 84 in
172.7 × 121.9 × 213.4 cm
Location
New York, Beverly Hills, San Francisco, London, Paris, Le Bourget, Geneva, Basel, Rome, Athens, Central, Hong Kong
Want to sell a work by this artist? Consign with Artsy.
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