Jeff Koons, ‘Inflatable Pig Costume’, 1988-1989, Wright

This work was created by Jeff Koons as a visual component to the Armitage Dance Company production of Contempt in 1989. Armitage Gone! Dance is well known for its collaborations with innovators in music, science and the visual arts, including artists David Salle and Brice Marden. Renowned for pushing boundaries, Karole Armitage seeks to create contemporary works that blend dance, music and the arts to engage philosophical questions about the search for meaning. All proceeds from the sale of this work will benefit the Armitage Gone! Dance company.

Sold with a certificate of authenticity signed by the artist.

Karole Armitage and The Armitage Ballet / Armitage Gone! Dance, New York

About Jeff Koons

Jeff Koons plays with ideas of taste, pleasure, celebrity, and commerce. “I believe in advertisement and media completely,” he says. “My art and my personal life are based in it.” Working with seductive commercial materials (such as the high chromium stainless steel of his “Balloon Dog” sculptures or his vinyl “Inflatables”), shifts of scale, and an elaborate studio system involving many technicians, Koons turns banal objects into high art icons. His paintings and sculptures borrow widely from art-historical techniques and styles; although often seen as ironic or tongue-in-cheek, Koons insists his practice is earnest and optimistic. “I’ve always loved Surrealism and Dada and Pop, so I just follow my interests and focus on them,” he says. “When you do that, things become very metaphysical.” The “Banality” series that brought him fame in the 1980s included pseudo-Baroque sculptures of subjects like Michael Jackson with his pet ape, while his monumental topiaries, like the floral Puppy (1992), reference 17th-century French garden design.

American, b. 1955, York, Pennsylvania, based in New York, New York