Jennifer Losch Bartlett, ‘Black, Grey, White (from NARAL Portfolio)’, 1991, Pace Prints
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Black, Grey, White (from NARAL Portfolio), 1991

Woodcut
16 × 20 in
40.6 × 50.8 cm
Editions 119, 120 of 125
This is part of a limited edition set.
$1,500
Ships from New York, NY, US
Shipping: $110 domestic, $192 rest of world
Location
New York
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
About the work
Provenance
Pace Prints
New York

Jennifer Bartlett’s "Black, Grey, White" 1991, a work owned by The Metropolitan Museum of …

Medium
Print
Condition
Original, undamaged condition. Sold directly by the publisher.
Signature
Hand-signed by artist, Signed in pencil on verso, lower right corner.
Certificate of authenticity
Not included
Frame
Not included
Publisher
Published by Pace Editions, Inc.
Jennifer Losch Bartlett
American, March 14, 1941
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In the course of her 50-year career, Jennifer Bartlett has alternately been considered a painter, a printmaker, and an installation artist, though her iconic works combine these three practices. Bartlett has become known for colorful painting on baked enamel on steel plates, which she then installs in grids. Each plate is both an individual work and a part of a larger piece. She also works with numerous mediums including pencil, ink, conte, oil pastel, gouache, drypoint, aquatint, screen prints, woodcuts, and lithography. Bartlett received her MFA from Yale, where her classmates included Richard Serra, Brice Marden, and Nancy Graves. She was perhaps most influenced by Sol LeWitt’s “Paragraphs on Conceptual Art” at the start of her career.

Jennifer Losch Bartlett, ‘Black, Grey, White (from NARAL Portfolio)’, 1991, Pace Prints
Save
Save
View
View in room
Share
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About the work
Provenance
Pace Prints
New York

Jennifer Bartlett’s "Black, Grey, White" 1991, a work owned by The Metropolitan Museum of art, is emblematic of the artists signature style of repetition with line, point and form. She created the work to benefit NARAL Pro-Choice America nearly 30 years ago.

Medium
Print
Condition
Original, undamaged condition. Sold directly by the publisher.
Signature
Hand-signed by artist, Signed in pencil on verso, lower right corner.
Certificate of authenticity
Not included
Frame
Not included
Publisher
Published by Pace Editions, Inc.
Jennifer Losch Bartlett
American, March 14, 1941
Follow

In the course of her 50-year career, Jennifer Bartlett has alternately been considered a painter, a printmaker, and an installation artist, though her iconic works combine these three practices. Bartlett has become known for colorful painting on baked enamel on steel plates, which she then installs in grids. Each plate is both an individual work and a part of a larger piece. She also works with numerous mediums including pencil, ink, conte, oil pastel, gouache, drypoint, aquatint, screen prints, woodcuts, and lithography. Bartlett received her MFA from Yale, where her classmates included Richard Serra, Brice Marden, and Nancy Graves. She was perhaps most influenced by Sol LeWitt’s “Paragraphs on Conceptual Art” at the start of her career.

Black, Grey, White (from NARAL Portfolio), 1991

Woodcut
16 × 20 in
40.6 × 50.8 cm
Editions 119, 120 of 125
This is part of a limited edition set.
$1,500
Ships from New York, NY, US
Shipping: $110 domestic, $192 rest of world
Location
New York
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
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Yale University School of Art
Repetition