Jennifer Losch Bartlett, ‘One Line (Connecting any Two of Nine Points)’, 1972, Print, Enamel, silkscreen, baked enamel on steel (9 units), Paula Cooper Gallery
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One Line (Connecting any Two of Nine Points), 1972

Enamel, silkscreen, baked enamel on steel (9 units)
38 × 38 in
96.5 × 96.5 cm
.
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Location
New York, Palm Beach
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Jennifer Losch Bartlett
American, March 14, 1941
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In the course of her 50-year career, Jennifer Bartlett has alternately been considered a painter, a printmaker, and an installation artist, though her iconic works combine these three practices. Bartlett has become known for colorful painting on baked enamel on steel plates, which she then installs in grids. Each plate is both an individual work and a part of a larger piece. She also works with numerous mediums including pencil, ink, conte, oil pastel, gouache, drypoint, aquatint, screen prints, woodcuts, and lithography. Bartlett received her MFA from Yale, where her classmates included Richard Serra, Brice Marden, and Nancy Graves. She was perhaps most influenced by Sol LeWitt’s “Paragraphs on Conceptual Art” at the start of her career.

Jennifer Losch Bartlett, ‘One Line (Connecting any Two of Nine Points)’, 1972, Print, Enamel, silkscreen, baked enamel on steel (9 units), Paula Cooper Gallery
Save
Save
View
View in room
Share
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Jennifer Losch Bartlett
American, March 14, 1941
Follow

In the course of her 50-year career, Jennifer Bartlett has alternately been considered a painter, a printmaker, and an installation artist, though her iconic works combine these three practices. Bartlett has become known for colorful painting on baked enamel on steel plates, which she then installs in grids. Each plate is both an individual work and a part of a larger piece. She also works with numerous mediums including pencil, ink, conte, oil pastel, gouache, drypoint, aquatint, screen prints, woodcuts, and lithography. Bartlett received her MFA from Yale, where her classmates included Richard Serra, Brice Marden, and Nancy Graves. She was perhaps most influenced by Sol LeWitt’s “Paragraphs on Conceptual Art” at the start of her career.

One Line (Connecting any Two of Nine Points), 1972

Enamel, silkscreen, baked enamel on steel (9 units)
38 × 38 in
96.5 × 96.5 cm
.
Contact For Price
Location
New York, Palm Beach
Have a question? Visit our help center.
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