Jennifer Losch Bartlett, ‘Untitled’, 1994, Sculpture, Group of four hand-blown glass vessels, Rago/Wright
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Untitled, 1994

Group of four hand-blown glass vessels
16 1/2 in
41.9 cm
.
Bidding closed
RW
Rago/Wright

Measurements are of largest. Fabricator: Deboroah Czeresko

Medium
Signature
Each initialed and with roman numeral identifier
Publisher
A/D, New York
Jennifer Losch Bartlett
American, March 14, 1941
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In the course of her 50-year career, Jennifer Bartlett has alternately been considered a painter, a printmaker, and an installation artist, though her iconic works combine these three practices. Bartlett has become known for colorful painting on baked enamel on steel plates, which she then installs in grids. Each plate is both an individual work and a part of a larger piece. She also works with numerous mediums including pencil, ink, conte, oil pastel, gouache, drypoint, aquatint, screen prints, woodcuts, and lithography. Bartlett received her MFA from Yale, where her classmates included Richard Serra, Brice Marden, and Nancy Graves. She was perhaps most influenced by Sol LeWitt’s “Paragraphs on Conceptual Art” at the start of her career.

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Jennifer Losch Bartlett, ‘Untitled’, 1994, Sculpture, Group of four hand-blown glass vessels, Rago/Wright
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Save
Save
Share
Share
RW
Rago/Wright

Measurements are of largest. Fabricator: Deboroah Czeresko

Medium
Signature
Each initialed and with roman numeral identifier
Publisher
A/D, New York
Jennifer Losch Bartlett
American, March 14, 1941
Follow

In the course of her 50-year career, Jennifer Bartlett has alternately been considered a painter, a printmaker, and an installation artist, though her iconic works combine these three practices. Bartlett has become known for colorful painting on baked enamel on steel plates, which she then installs in grids. Each plate is both an individual work and a part of a larger piece. She also works with numerous mediums including pencil, ink, conte, oil pastel, gouache, drypoint, aquatint, screen prints, woodcuts, and lithography. Bartlett received her MFA from Yale, where her classmates included Richard Serra, Brice Marden, and Nancy Graves. She was perhaps most influenced by Sol LeWitt’s “Paragraphs on Conceptual Art” at the start of her career.

Untitled, 1994

Group of four hand-blown glass vessels
16 1/2 in
41.9 cm
.
Bidding closed
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