Jennifer Packer, ‘Yellow Roses’, 2015, Corvi-Mora

About Jennifer Packer

Critiquing the art historical “gaze,” Packer’s portraits address the privilege of viewership and the ways the body has been represented and looked at throughout history. In her paintings, the existence of either person or object relies wholly on its surroundings—a figure reclining in a chair, or a vase sitting on a table, becomes inextricable from its support. Grounded in personal grapplings with sorrow, bitterness, and affection, Packer’s paintings employ contradictions as a means of raising questions and revealing otherwise overlooked complexities. Favoring friends and family as subjects, Packer imbues her paintings with intimacy and affection, creating a distinct sense of atmosphere through scenes in which foreground and background both defy and merge with each other.

American, b. 1984, Philadelphia, Pennsylvania, based in Philadelphia, Pennsylvania