![Jenny Holzer, ‘Truisms [Money Creates Taste]’, After 1994, RAW Editions](https://d32dm0rphc51dk.cloudfront.net/HTdZrZU5jqHMWuAFFopCUg/large.jpg)
Jenny Holzer
Truisms [Money Creates Taste], After 1994

With text from the Survival (1983-1985) and Truisms (1977-1979) series.

Jenny Holzer’s truisms, such as “Abuse of power comes as no surprise” and “Protect me from what I want,” have appeared on posters, billboards, and even condoms, and as LED signs and monumental light projections. Whether questioning consumerism, describing torture, or lamenting death and disease, her use of language (sometimes mistaken for advertising when installed in public spaces) is designed to agitate and disturb. Holzer’s recent work ranges from silk-screened paintings of declassified government memos to a large-scale poetry and light installation in the lobby of 7 World Trade Center, New York. In 1990, Holzer received the Golden Lion at the Venice Biennale.
![Jenny Holzer, ‘Truisms [Money Creates Taste]’, After 1994, RAW Editions](https://d32dm0rphc51dk.cloudfront.net/HTdZrZU5jqHMWuAFFopCUg/large.jpg)

With text from the Survival (1983-1985) and Truisms (1977-1979) series.

Jenny Holzer’s truisms, such as “Abuse of power comes as no surprise” and “Protect me from what I want,” have appeared on posters, billboards, and even condoms, and as LED signs and monumental light projections. Whether questioning consumerism, describing torture, or lamenting death and disease, her use of language (sometimes mistaken for advertising when installed in public spaces) is designed to agitate and disturb. Holzer’s recent work ranges from silk-screened paintings of declassified government memos to a large-scale poetry and light installation in the lobby of 7 World Trade Center, New York. In 1990, Holzer received the Golden Lion at the Venice Biennale.