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Jessica Backhaus, ‘I Wanted To See The World #100’, 2011, Robert Klein Gallery
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I Wanted To See The World #100, 2011

Chromogenic print
This is part of a limited edition set.
15 13/16 × 22 11/16 in
40.2 × 57.6 cm
Edition of 8
Contact for price
40 × 50 in
101.6 × 127 cm
Edition of 5
Contact for price
Location
Boston
Have a question? Visit our help center.
About the work
Jessica Backhaus
German, b. 1970
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Jessica Backhaus’s vibrant color photographs endow negligible objects—the yellow pages sitting in a pile of snow (Small Wonder, 2008), a water bottle floating in a puddle (Bottle, 2006)—with gravitas. The images, which are never staged, stem from her curiosity about things that get left behind in the frenzy of contemporary consumer culture. “How do things get to where they are?” she asks. Her works focus on quiet moments or unexpected visual passages, such as the reflection of a venerable tree on a rain-soaked tennis court, rather than the literal depiction of her subjects. Backhaus’s first book, Jesus and the Cherries (2005), vividly captured the simplicities of life in a small Polish town; her typically de-populated scenes contain enough narrative clues—a handprint on a kitchen window, for instance—to pique viewers’ curiosity about an underlying story.

Jessica Backhaus, ‘I Wanted To See The World #100’, 2011, Robert Klein Gallery
Save
Save
View
View in room
Share
Share
About the work
Jessica Backhaus
German, b. 1970
Follow

Jessica Backhaus’s vibrant color photographs endow negligible objects—the yellow pages sitting in a pile of snow (Small Wonder, 2008), a water bottle floating in a puddle (Bottle, 2006)—with gravitas. The images, which are never staged, stem from her curiosity about things that get left behind in the frenzy of contemporary consumer culture. “How do things get to where they are?” she asks. Her works focus on quiet moments or unexpected visual passages, such as the reflection of a venerable tree on a rain-soaked tennis court, rather than the literal depiction of her subjects. Backhaus’s first book, Jesus and the Cherries (2005), vividly captured the simplicities of life in a small Polish town; her typically de-populated scenes contain enough narrative clues—a handprint on a kitchen window, for instance—to pique viewers’ curiosity about an underlying story.

I Wanted To See The World #100, 2011

Chromogenic print
This is part of a limited edition set.
15 13/16 × 22 11/16 in
40.2 × 57.6 cm
Edition of 8
Contact for price
40 × 50 in
101.6 × 127 cm
Edition of 5
Contact for price
Location
Boston
Have a question? Visit our help center.
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Other works by Jessica Backhaus
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Water