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Jessica Rankin

Let the Awful Shade Stop Rising, 2014

Graphite, ink and collage on paper
42 1/10 × 42 1/10 in
107 × 107 cm
About the work
Image rights
Courtesy of the artist and Salon 94 New York © Jessica Rankin
Jessica Rankin
Australian, b. 1971
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Using embroidery and needlework on diaphanous panels of organdy, Jessica Rankin creates expansive …

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Using embroidery and needlework on diaphanous panels of organdy, Jessica Rankin creates expansive maps of landscapes and the night sky dotted with codes, signs, and symbols that refer to the processes of memory, intuition, and interpretation. Though she states, “in many ways I think I’m a landscape artist,” Rankin’s …

Read more
Save
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view
View in room
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Save
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view
View in room
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About the work
Image rights
Courtesy of the artist and Salon 94 New York © Jessica Rankin
Jessica Rankin
Australian, b. 1971
Follow

Using embroidery and needlework on diaphanous panels of organdy, Jessica Rankin creates expansive …

Read more

Using embroidery and needlework on diaphanous panels of organdy, Jessica Rankin creates expansive maps of landscapes and the night sky dotted with codes, signs, and symbols that refer to the processes of memory, intuition, and interpretation. Though she states, “in many ways I think I’m a landscape artist,” Rankin’s …

Read more

Jessica Rankin

Let the Awful Shade Stop Rising, 2014

Graphite, ink and collage on paper
42 1/10 × 42 1/10 in
107 × 107 cm
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