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TIGE VIBRANT, 1967

Acrylic sculpture
19 7/10 × 9 2/5 × 13 2/5 in
50 × 24 × 34 cm
Edition of 100
This is part of a limited edition set.
$10,000 - 15,000
location
Montevideo, Munich
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
About the work
Kunzt Gallery
Montevideo, Munich
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Wood, metal, oil, sewing cotton, partly with silkscreen

Wood, metal, oil, sewing cotton, partly with silkscreen

Jesús Rafael Soto
Venezuelan, 1923–2005
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Noted as a defining figure of both the Op Art movement and Kinetic Sculpture, Jesus Rafael Soto employed industrial and synthetic materials such as nylon and steel to produce his trademark sculptural reliefs. Soto’s work dealt with pure abstraction, color theory, and the dynamic between background and foreground, as seen in works such as Vibration Blanc et Jaune (paint on wood and metal, 1959), in which the artist stimulates optical effects through the manipulation of color relationships, combining hurried black lines with interruptions of yellow and white. In the 1950s and ‘60s, Soto collaborated with Group Zero artists, including Otto Piene, Heinz Mack, Gunther Uecker, Yves Klein, Lucio Fontana and Jean Tinguely, who stressed unity on an intellectual and creative level. Soto was also influenced by- and influential to the Russian Constructivists and artist contemporaries such as Piet Mondrian.

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About the work
Kunzt Gallery
Montevideo, Munich
Follow

Wood, metal, oil, sewing cotton, partly with silkscreen

Wood, metal, oil, sewing cotton, partly with silkscreen

Jesús Rafael Soto
Venezuelan, 1923–2005
Follow

Noted as a defining figure of both the Op Art movement and Kinetic Sculpture, Jesus Rafael Soto employed industrial and synthetic materials such as nylon and steel to produce his trademark sculptural reliefs. Soto’s work dealt with pure abstraction, color theory, and the dynamic between background and foreground, as seen in works such as Vibration Blanc et Jaune (paint on wood and metal, 1959), in which the artist stimulates optical effects through the manipulation of color relationships, combining hurried black lines with interruptions of yellow and white. In the 1950s and ‘60s, Soto collaborated with Group Zero artists, including Otto Piene, Heinz Mack, Gunther Uecker, Yves Klein, Lucio Fontana and Jean Tinguely, who stressed unity on an intellectual and creative level. Soto was also influenced by- and influential to the Russian Constructivists and artist contemporaries such as Piet Mondrian.

TIGE VIBRANT, 1967

Acrylic sculpture
19 7/10 × 9 2/5 × 13 2/5 in
50 × 24 × 34 cm
Edition of 100
This is part of a limited edition set.
$10,000 - 15,000
location
Montevideo, Munich
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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Other works from Kunzt Gallery
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