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HA
Heritage Auctions

Signed on the reverse

Condition Report: Unframed. Unlined canvas. There does not appear to be any condition issues affecting the work.

Medium
Signature
Signed and dated lower center
Image rights
Courtesy of Heritage Auctions

Ji Wenyu’s paintings are defined by saturated colors and critical allusions to Pop art. Juxtaposing propagandistic depictions of heroic workers with Western advertisements, the work suggests that consumerism has replaced Communism as the driving force of Chinese society, mocks the vulgarity of China’s burgeoning middle class with a humorous sensibility. Since 2003 Ji has also collaborated with his wife Zhu Weibing on textile-based sculptures, including a sculptural installation comprising dozens of businessmen holding enormous flowers, which the artists claim have no particular association but can symbolize prosperity, power, or any characteristic one wishes to project on to them. Reminiscent of flowers featured in Cultural Revolution propaganda, they are familiar images to the Chinese, but in this context they hint at the country’s new consumerist ideals.

Blue chip
Represented by internationally recognized galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions
2019
Multiplicity:Fung Lik-yan Kevin Solo Exhibition | Affairs Going On! Ji Wenyu & Zhu Weibing Solo ExhibitionLeo Gallery
2014
Bridging ChinaMCLEMOI GALLERY
2013
CLUTCHShanghART

Weekend Night, 2006

Oil on canvas
51 1/4 × 63 27/40 in
130.2 × 161.7 cm
Bidding closed
HA
Heritage Auctions

Signed on the reverse

Condition Report: Unframed. Unlined canvas. There does not appear to be any …

Medium
Signature
Signed and dated lower center
Image rights
Courtesy of Heritage Auctions

Ji Wenyu’s paintings are defined by saturated colors and critical allusions to Pop art. Juxtaposing propagandistic depictions of heroic workers with Western advertisements, the work suggests that consumerism has replaced Communism as the driving force of Chinese society, mocks the vulgarity of China’s burgeoning middle class with a humorous sensibility. Since 2003 Ji has also collaborated with his wife Zhu Weibing on textile-based sculptures, including a sculptural installation comprising dozens of businessmen holding enormous flowers, which the artists claim have no particular association but can symbolize prosperity, power, or any characteristic one wishes to project on to them. Reminiscent of flowers featured in Cultural Revolution propaganda, they are familiar images to the Chinese, but in this context they hint at the country’s new consumerist ideals.

Blue chip
Represented by internationally recognized galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions (3)
Related works
Related artists