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Jill Greenberg, ‘Sid #174’, 2010, ClampArt
Jill Greenberg, ‘Sid #174’, 2010, ClampArt
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Jill Greenberg

Sid #174, 2010

Archival pigment print
This is part of a limited edition set.
58 × 101 in
147.3 × 256.5 cm
Edition of 3
Contact for price
41 × 71 1/2 in
104.1 × 181.6 cm
Edition of 5
Contact for price
20 × 29 1/2 in
50.8 × 74.9 cm
Edition of 4
Contact for price
Location
New York City
Have a question? Visit our help center.
About the work
ClampArt
New York City

In a subtle turn away from the more direct portraiture of her monkey and bear portraits, Jill …

In a subtle turn away from the more direct portraiture of her monkey and bear portraits, Jill Greenberg presents here a selection of photographs of horses. While the artist’s previous images of monkeys and bears proved extremely popular, she regards horses as her primal subject. As a young girl, Greenberg was …

Medium
Photography
Signature
Signed and numbered on label, verso
Series
Horse
Jill Greenberg
Canadian, b. 1967
Follow

In her large-scale color photographs of animals and people, Jill Greenberg highlights the stunning physical beauty of all of her subjects, while using their expressive faces and bodies to question the division between the human and the animal and to explore the darker side of human nature. At once sleek and raw, her photographs are informed by her commercial work and shaped by her deeply held feminism and keen sensitivity to her subjects. Working in distinctly defined series, Greenberg has captured the uncanny humanness of monkeys, apes, bears, and horses; photographed crying toddlers as a reaction to the dangerous policies, beliefs, and practices causing profound harm to the earth and all living things; and shot women underwater, clad in bathing suits and matching heels, to represent the impossible ideals of femininity hindering female empowerment and advancement.

Jill Greenberg, ‘Sid #174’, 2010, ClampArt
Jill Greenberg, ‘Sid #174’, 2010, ClampArt
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
ClampArt
New York City

In a subtle turn away from the more direct portraiture of her monkey and bear portraits, Jill …

In a subtle turn away from the more direct portraiture of her monkey and bear portraits, Jill Greenberg presents here a selection of photographs of horses. While the artist’s previous images of monkeys and bears proved extremely popular, she regards horses as her primal subject. As a young girl, Greenberg was …

Medium
Photography
Signature
Signed and numbered on label, verso
Series
Horse
Jill Greenberg
Canadian, b. 1967
Follow

In her large-scale color photographs of animals and people, Jill Greenberg highlights the stunning physical beauty of all of her subjects, while using their expressive faces and bodies to question the division between the human and the animal and to explore the darker side of human nature. At once sleek and raw, her photographs are informed by her commercial work and shaped by her deeply held feminism and keen sensitivity to her subjects. Working in distinctly defined series, Greenberg has captured the uncanny humanness of monkeys, apes, bears, and horses; photographed crying toddlers as a reaction to the dangerous policies, beliefs, and practices causing profound harm to the earth and all living things; and shot women underwater, clad in bathing suits and matching heels, to represent the impossible ideals of femininity hindering female empowerment and advancement.

Jill Greenberg

Sid #174, 2010

Archival pigment print
This is part of a limited edition set.
58 × 101 in
147.3 × 256.5 cm
Edition of 3
Contact for price
41 × 71 1/2 in
104.1 × 181.6 cm
Edition of 5
Contact for price
20 × 29 1/2 in
50.8 × 74.9 cm
Edition of 4
Contact for price
Location
New York City
Have a question? Visit our help center.
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