Jill Moser, ‘Eclat’, 2013, Print, Aquatint with Spitbite, Photogravure and Pochoir, Dubner Moderne
Save
Save
View
View in room
Share
Share

Jill Moser

Eclat, 2013

Aquatint with Spitbite, Photogravure and Pochoir
22 3/4 × 24 3/4 in
57.8 × 62.9 cm
Edition of 30
.
Contact For Price
Location
Lausanne
Have a question? Visit our help center.
Medium
Signature
Hand-signed by artist
Frame
Included
Publisher
Dubner Moderne
Jill Moser
American, b. 1956
Follow

Jill Moser’s strongly gestural paintings and prints are calculated explosions of calligraphic lines and color. Her oeuvre is largely an exploration of the language of abstraction. She pairs wide and vigorous brushstrokes with fine line work: looping curves, areas of color saturation, and spaces of smoky evanescence. Like Philip Guston, Moser’s broader practice centers on a dialogue between painting and printmaking. “To work on a print is to strip down the constructive parts of an image, slowing down and revealing the performative aspects of its making,” she says. “I’m intrigued by how the process records both the structure and the event and makes the process become visible.” The print allows Moser to introduce a mechanical process that mediates between her hand and the image thereby allowing her to slow down and re-encounter her own gestures.

Jill Moser, ‘Eclat’, 2013, Print, Aquatint with Spitbite, Photogravure and Pochoir, Dubner Moderne
Save
Save
View
View in room
Share
Share
Medium
Signature
Hand-signed by artist
Frame
Included
Publisher
Dubner Moderne
Jill Moser
American, b. 1956
Follow

Jill Moser’s strongly gestural paintings and prints are calculated explosions of calligraphic lines and color. Her oeuvre is largely an exploration of the language of abstraction. She pairs wide and vigorous brushstrokes with fine line work: looping curves, areas of color saturation, and spaces of smoky evanescence. Like Philip Guston, Moser’s broader practice centers on a dialogue between painting and printmaking. “To work on a print is to strip down the constructive parts of an image, slowing down and revealing the performative aspects of its making,” she says. “I’m intrigued by how the process records both the structure and the event and makes the process become visible.” The print allows Moser to introduce a mechanical process that mediates between her hand and the image thereby allowing her to slow down and re-encounter her own gestures.

Jill Moser

Eclat, 2013

Aquatint with Spitbite, Photogravure and Pochoir
22 3/4 × 24 3/4 in
57.8 × 62.9 cm
Edition of 30
.
Contact For Price
Location
Lausanne
Have a question? Visit our help center.
Other works by Jill Moser