Jim Dine, ‘Harry Mathews Skis the Vercour’, 1973, Mixed Media, Acrylic, collage and mixed media on canvas, diptych, Phillips
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Jim Dine

Harry Mathews Skis the Vercour, 1973

Acrylic, collage and mixed media on canvas, diptych
Bidding closed
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P
Phillips

Property of a Distinguished European Collector

Each 72 x 60 in. (182.9 x 152.4 cm.)

From the …

Medium
Signature
Each signed, titled and dated ""Harry Mathews Skiis the Vercour" Jim Dine 1973" on the reverse
Jim Dine
American, b. 1935
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Although often associated with both Pop Art and Abstract Expressionism, Jim Dine did not identify with a specific movement, producing a vast oeuvre of paintings, drawings, works on paper, sculpture, poetry, and performances. Emerging as a pioneer (together with Allan Kaprow, Claes Oldenburg, and Robert Whitman) of New York’s Happenings of the 1960s, Dine would carry the spontaneous energy of this movement throughout his style, which emphasized the exploration of everyday life. Personally significant objects were Dine’s primary motifs, as in his iconic series of hearts and robes. He championed a return to figuration after a period of more concept-dominated works, and is considered an important figure in Neo-Dada and a forerunner of Neo-Expressionism. “The figure is still the only thing I have faith in in terms of how much emotion it’s charged with and how much subject matter is there,” he once said.

Jim Dine, ‘Harry Mathews Skis the Vercour’, 1973, Mixed Media, Acrylic, collage and mixed media on canvas, diptych, Phillips
Save
Save
Share
Share
P
Phillips

Property of a Distinguished European Collector

Each 72 x 60 in. (182.9 x 152.4 cm.)

From the Catalogue:
I trust objects so much. I trust disparate elements going together. Jim Dine, 1966
Courtesy of Phillips

Medium
Signature
Each signed, titled and dated ""Harry Mathews Skiis the Vercour" Jim Dine 1973" on the reverse
Jim Dine
American, b. 1935
Follow

Although often associated with both Pop Art and Abstract Expressionism, Jim Dine did not identify with a specific movement, producing a vast oeuvre of paintings, drawings, works on paper, sculpture, poetry, and performances. Emerging as a pioneer (together with Allan Kaprow, Claes Oldenburg, and Robert Whitman) of New York’s Happenings of the 1960s, Dine would carry the spontaneous energy of this movement throughout his style, which emphasized the exploration of everyday life. Personally significant objects were Dine’s primary motifs, as in his iconic series of hearts and robes. He championed a return to figuration after a period of more concept-dominated works, and is considered an important figure in Neo-Dada and a forerunner of Neo-Expressionism. “The figure is still the only thing I have faith in in terms of how much emotion it’s charged with and how much subject matter is there,” he once said.

Jim Dine

Harry Mathews Skis the Vercour, 1973

Acrylic, collage and mixed media on canvas, diptych
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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