
Jim Dine
Olympic Robe, 1988
Though Jim Dine doesn’t own or wear a bathrobe in his personal life, he has dedicated much of his …

Artist: Jim Dine
Title: Olympic Robe
Year: 1988
Medium: Lithograph on Arches Paper, signed and …

Although often associated with both Pop Art and Abstract Expressionism, Jim Dine did not identify with a specific movement, producing a vast oeuvre of paintings, drawings, works on paper, sculpture, poetry, and performances. Emerging as a pioneer (together with Allan Kaprow, Claes Oldenburg, and Robert Whitman) of New York’s Happenings of the 1960s, Dine would carry the spontaneous energy of this movement throughout his style, which emphasized the exploration of everyday life. Personally significant objects were Dine’s primary motifs, as in his iconic series of hearts and robes. He championed a return to figuration after a period of more concept-dominated works, and is considered an important figure in Neo-Dada and a forerunner of Neo-Expressionism. “The figure is still the only thing I have faith in in terms of how much emotion it’s charged with and how much subject matter is there,” he once said.

Though Jim Dine doesn’t own or wear a bathrobe in his personal life, he has dedicated much of his artistic career to the subject, viewing the garment as a kind of self-portrait. In 1963, Dine discovered a newspaper ad in The New York Times that featured an airbrushed image of a bathrobe floating in space. “Well, it …

Artist: Jim Dine
Title: Olympic Robe
Year: 1988
Medium: Lithograph on Arches Paper, signed and numbered in pencil
Edition: 300
Paper Size: 35 x 27 in. (68.58 x 88.9 cm)

Although often associated with both Pop Art and Abstract Expressionism, Jim Dine did not identify with a specific movement, producing a vast oeuvre of paintings, drawings, works on paper, sculpture, poetry, and performances. Emerging as a pioneer (together with Allan Kaprow, Claes Oldenburg, and Robert Whitman) of New York’s Happenings of the 1960s, Dine would carry the spontaneous energy of this movement throughout his style, which emphasized the exploration of everyday life. Personally significant objects were Dine’s primary motifs, as in his iconic series of hearts and robes. He championed a return to figuration after a period of more concept-dominated works, and is considered an important figure in Neo-Dada and a forerunner of Neo-Expressionism. “The figure is still the only thing I have faith in in terms of how much emotion it’s charged with and how much subject matter is there,” he once said.