Jim Dine, ‘The Paris Review’, 1965, Print, Lithograph in colors on paper, Heritage Auctions
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Jim Dine

The Paris Review, 1965

Lithograph in colors on paper
39 3/4 × 26 1/4 in
101 × 66.7 cm
Edition 18/150
Bidding closed
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HA
Heritage Auctions

Condition Reports: Handling creases to the extreme edges; mild light staining. Print Grade: 8/10. …

Medium
Signature
Signed and numbered in pencil lower center
Image rights
Courtesy of Heritage Auctions
Jim Dine
American, b. 1935
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Although often associated with both Pop Art and Abstract Expressionism, Jim Dine did not identify with a specific movement, producing a vast oeuvre of paintings, drawings, works on paper, sculpture, poetry, and performances. Emerging as a pioneer (together with Allan Kaprow, Claes Oldenburg, and Robert Whitman) of New York’s Happenings of the 1960s, Dine would carry the spontaneous energy of this movement throughout his style, which emphasized the exploration of everyday life. Personally significant objects were Dine’s primary motifs, as in his iconic series of hearts and robes. He championed a return to figuration after a period of more concept-dominated works, and is considered an important figure in Neo-Dada and a forerunner of Neo-Expressionism. “The figure is still the only thing I have faith in in terms of how much emotion it’s charged with and how much subject matter is there,” he once said.

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Jim Dine, ‘The Paris Review’, 1965, Print, Lithograph in colors on paper, Heritage Auctions
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Save
Save
View
View in room
Share
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HA
Heritage Auctions

Condition Reports: Handling creases to the extreme edges; mild light staining. Print Grade: 8/10. Not examined out of frame. Mounted and framed under glass. Framed Dimensions 40.25 X 27.25 Inches

Medium
Signature
Signed and numbered in pencil lower center
Image rights
Courtesy of Heritage Auctions
Jim Dine
American, b. 1935
Follow

Although often associated with both Pop Art and Abstract Expressionism, Jim Dine did not identify with a specific movement, producing a vast oeuvre of paintings, drawings, works on paper, sculpture, poetry, and performances. Emerging as a pioneer (together with Allan Kaprow, Claes Oldenburg, and Robert Whitman) of New York’s Happenings of the 1960s, Dine would carry the spontaneous energy of this movement throughout his style, which emphasized the exploration of everyday life. Personally significant objects were Dine’s primary motifs, as in his iconic series of hearts and robes. He championed a return to figuration after a period of more concept-dominated works, and is considered an important figure in Neo-Dada and a forerunner of Neo-Expressionism. “The figure is still the only thing I have faith in in terms of how much emotion it’s charged with and how much subject matter is there,” he once said.

Jim Dine

The Paris Review, 1965

Lithograph in colors on paper
39 3/4 × 26 1/4 in
101 × 66.7 cm
Edition 18/150
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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