navigate left
navigate right
Save
Save
share
Share
Save
Save
share
Share

Jim Hodges

finally, 2017

Intaglio (aquatint, drypoint, sugar lift and spit bite), screen-printing, digital pigment printing, chine collé, hand cut and folded with a holographic foil element
43 × 33 × 3 in
109.2 × 83.8 × 7.6 cm
Edition of 28
This is part of a limited edition set.
$14,500
location
Minneapolis
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
About the work
Medium
Print
Series
Third in a four-part series, representing the four seasons.
Publisher
Highpoint Editions & Walker Art Center
Image rights
Image Credit: Walker Art Center and Gene Pittman
Jim Hodges
American, b. 1957
Follow

Jim Hodges’ works are meticulously assembled visual diaries made from familiar materials such as curtains, mirrors, artificial silk flowers, glass, silver chains, and light bulbs. In Creep (2009), a branch-like form gracefully stretches beyond the edges of the watermarked paper. From his complex arrangements of broken glass to life-size monochromes of black, gray, and white camouflage fabric, Hodges’ delicate works explore themes of fragility and temporality in a highly original and poetic vocabulary.

navigate left
navigate right
Save
Save
share
Share
Save
Save
share
Share
About the work
Medium
Print
Series
Third in a four-part series, representing the four seasons.
Publisher
Highpoint Editions & Walker Art Center
Image rights
Image Credit: Walker Art Center and Gene Pittman
Jim Hodges
American, b. 1957
Follow

Jim Hodges’ works are meticulously assembled visual diaries made from familiar materials such as curtains, mirrors, artificial silk flowers, glass, silver chains, and light bulbs. In Creep (2009), a branch-like form gracefully stretches beyond the edges of the watermarked paper. From his complex arrangements of broken glass to life-size monochromes of black, gray, and white camouflage fabric, Hodges’ delicate works explore themes of fragility and temporality in a highly original and poetic vocabulary.

Jim Hodges

finally, 2017

Intaglio (aquatint, drypoint, sugar lift and spit bite), screen-printing, digital pigment printing, chine collé, hand cut and folded with a holographic foil element
43 × 33 × 3 in
109.2 × 83.8 × 7.6 cm
Edition of 28
This is part of a limited edition set.
$14,500
location
Minneapolis
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
Other works from Highpoint Editions at The Editions/Artists’ Book Fair 2017
Other works by Jim Hodges
Other works from Highpoint Editions
Related works
Most Similar