Co-published with the Walker Art Center (Minneapolis, Minnesota). The print comes with a mat …
Read moreCo-published with the Walker Art Center (Minneapolis, Minnesota). The print comes with a mat window.
There will be changes to the appearance of the print, including ripples and pillowing as the over-sheet responds to changes in the environment. In the words of the artist, this is “expected and welcome”.
Jim Hodges’ works are meticulously assembled visual diaries made from familiar materials such as curtains, mirrors, artificial silk flowers, glass, silver chains, and light bulbs. In Creep (2009), a branch-like form gracefully stretches beyond the edges of the watermarked paper. From his complex arrangements of broken glass to life-size monochromes of black, gray, and white camouflage fabric, Hodges’ delicate works explore themes of fragility and temporality in a highly original and poetic vocabulary.
Co-published with the Walker Art Center (Minneapolis, Minnesota). The print comes with a mat …
Read moreCo-published with the Walker Art Center (Minneapolis, Minnesota). The print comes with a mat window.
There will be changes to the appearance of the print, including ripples and pillowing as the over-sheet responds to changes in the environment. In the words of the artist, this is “expected and welcome”.
Jim Hodges’ works are meticulously assembled visual diaries made from familiar materials such as curtains, mirrors, artificial silk flowers, glass, silver chains, and light bulbs. In Creep (2009), a branch-like form gracefully stretches beyond the edges of the watermarked paper. From his complex arrangements of broken glass to life-size monochromes of black, gray, and white camouflage fabric, Hodges’ delicate works explore themes of fragility and temporality in a highly original and poetic vocabulary.