Jim Shaw, ‘Dream Object (I was seeing an old atomic bomb test from above the Pacific along the line of ships which seemed to grow larger. Then I was beneath the debris streaking through the water wondering if it would reach California and contaminate us. Then I was at Joyce Lightbody's looking at paintings on lumpy metal sheets of the negotiators for the Serbs, Croates and Bosnians as vampire basketball players plus these asshole vaginas and baskets...)’, 2001, Phillips

Jim Shaw, Dream Object Book, Paris, 2011, p. 27 (illustrated)

Metro Pictures, New York
Private Collection, New York
Gladstone Gallery, New York
Private Collection, New York

About Jim Shaw

Famous as a collector of American junk, including a trove of thrift store paintings once sought by art collector Charles Saatchi, Jim Shaw draws on his vast stores of pop cultural artifacts in his work. The My Mirage (1986–91) project comprises nearly 170 drawings, silkscreens, photographs, sculptures, films, and paintings based on a Shaw stand-in called Billy, who grows from childhood to psychosis to born-again Christianity. Billy exists amid a 1960s and ’70s visual overload of pulp novels, comic books, records, and psychedelic posters. The artist’s Oism project, initiated in the late 1990s, explores his fictional religion through media including video installations (recalling both Busby Berkeley musicals and 1980s aerobics videos) and found paintings in the “Oist style.” Shaw’s richly layered practice takes liberally from both art history (Art Brut, Vincent van Gogh, Salvador Dalí, Rene Magritte, Max Ernst) and America’s vernacular of coffeemakers and zombie films.

American, b. 1952, Midland, Michigan, based in Los Angeles, California