The Power and Precarious Balancing Acts of Jiro Takamatsu
In the 1960s and 1970s, Jirō Takamatsu emerged as a founding member of the experimental art collective Hi Red Center and a guiding figure for Mono-ha (School of Things). Working across a range of media, his career coincided with a shift away from Anti-Art (han-geijutsu), which sought to create art outside institutional spaces and erase the boundaries between art and life, to Non-Art (hi-geijutsu), which investigated materiality, action, and process. This silkscreen is indicative of Takamatsu's early exploration of minimalist forms. Several of his works were exhibited in Japan Society’s 2015 presentation of "For a New World to Come: Experiments in Japanese Art and Photography, 1968-1979."
Artist Proof, Framed
Please note: After bidding closes on Artsy, bids on this piece will be transferred and executed at the live auction component of the Japan Society Benefit & Auction on the evening of November 2, 2016.
Jiro Takamatsu was an influential artist, known for breaking down the boundaries between art and life in experimental art forms and guerrilla-style performances, in addition to sculpture, drawing, photography, and painting. Takamatsu was a founding member of the Hi Red Center collective alongside Genpei Akasegawa and Natsuyuki Nakanishi in 1963, and a key figure in the development of the Mono-Ha movement (the “school of things” associated with Lee Ufan). His most celebrated works were the “Shadow Paintings”, begun 1964, in which he painted the isolated shadows of solitary figures and items in delicate grey. These were inspired by images of shadows in 19th-century Japanese woodcuts, as well as the way in which screen doors capture the silhouettes.