Joan Miró, ‘Dog Barking at the Moon (Mourlot 189)’, Sotheby's
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Joan Miró

Dog Barking at the Moon (Mourlot 189)

Lithograph printed in colors
14 3/10 × 21 1/2 in
36.3 × 54.6 cm
Bidding closed
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About the work
S
Sotheby's

1952, signed and dated in white pencil, numbered 48/80, on Arches wove paper, published by Tériade, …

Medium
Print
Joan Miró
Spanish, 1893–1983
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Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

Joan Miró, ‘Dog Barking at the Moon (Mourlot 189)’, Sotheby's
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Save
View
View in room
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About the work
S
Sotheby's

1952, signed and dated in white pencil, numbered 48/80, on Arches wove paper, published by Tériade, Paris, 1953, framed.

image: 361 by 542 mm 14 1/4 by 21 3/8 in
sheet: 363 by 546 mm 14 1/4 by 21 1/4 in

Medium
Print
Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

Joan Miró

Dog Barking at the Moon (Mourlot 189)

Lithograph printed in colors
14 3/10 × 21 1/2 in
36.3 × 54.6 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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Surrealism