Joan Miró, ‘Emehpylop’, 1968, Masterworks Fine Art

Created in 1968, this color etching with drypoint and cement Imprint on Mandeure rag paper is hand-signed by Joan Miró (1893 – 1983) in pencil in the lower right. Numbered from the edition of 75 in pencil in the lower left, this work was published by Maeght éditeur, Paris and printed by Arte Adrien Maeght, Paris.

Signature: This work is hand-signed by Joan Miró (Barcelona, 1893 - Palma, 1983) in pencil in the lower right.

Publisher: Maeght éditeur, Paris

  1. Dupin, J. (1992). Miró Engraver, Vol. II 1961 – 1973. Listed and illustrated as catalogue raisonné no. 451.
  2. Musée d’Art Moderne de la Ville de Paris (1974). Miró: l’œuvre graphique. Listed as catalogue raisonné no. 114.

About Joan Miró

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

Spanish, 1893-1983, Barcelona, Spain, based in Paris and Catalonia, Spain