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Joan Miró

Exposition XXIIe, Salon de Mai, 1966

Color lithograph on buff paper
26 1/2 × 20 1/2 in
67.3 × 52.1 cm
Edition of 100
Bidding closed
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About the work
Bibliography
S
Skinner

Edition of 100 before lettering

Framed.

Condition: Full sheet with deckled right and lower edges, …

Read more

Edition of 100 before lettering

Framed.

Condition: Full sheet with deckled right and lower edges, possible subtle toning, floated within the mat, not examined out of frame. --Courtesy of Skinner

The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and …

Read more
Signature
Signed "Miró." in pencil l.r., numbered "23/100" in pencil l.l., identified on a label from the Kanegis Gallery, Boston, affixed to the backing.
Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Bibliography
S
Skinner

Edition of 100 before lettering

Framed.

Condition: Full sheet with deckled right and lower edges, …

Read more

Edition of 100 before lettering

Framed.

Condition: Full sheet with deckled right and lower edges, possible subtle toning, floated within the mat, not examined out of frame. --Courtesy of Skinner

The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and …

Read more
Signature
Signed "Miró." in pencil l.r., numbered "23/100" in pencil l.l., identified on a label from the Kanegis Gallery, Boston, affixed to the backing.
Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more

Joan Miró

Exposition XXIIe, Salon de Mai, 1966

Color lithograph on buff paper
26 1/2 × 20 1/2 in
67.3 × 52.1 cm
Edition of 100
Bidding closed
Want to sell a work by this artist? Learn more.