Joan Miró, ‘Femme et Oiseau Devant la Lune’, 1947, michael lisi / contemporary art

A stunning example of the artists early printed work, Femme et Oiseau Devant la Lune was created as an original etching and aquatint by Joan Miro in 1947. This gem of an original print is hand-signed, dated and numbered in pencil, measures 8 3/8 x 9 5/8 in. (21.3 x 24.6 cm), unframed and is from the edition of 300. It is recognized in the artist’s catalogue raisonne as Dupin 51.

About Joan Miró

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

Spanish, 1893-1983, Barcelona, Spain, based in Paris and Catalonia, Spain