Joan Miró, ‘Femmes sur la plage (Women on the Beach), Plate IV’, 1959, Georgetown Frame Shoppe
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Joan Miró, ‘Femmes sur la plage (Women on the Beach), Plate IV’, 1959, Georgetown Frame Shoppe
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Joan Miró

Femmes sur la plage (Women on the Beach), Plate IV, 1959

Pochoir
14 × 17 in
35.6 × 43.2 cm
Edition of 350
This is part of a limited edition set.
Contact For Price
location
Washington DC
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About the work
Bibliography
Georgetown Frame Shoppe
Washington DC
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Joan Miro (after) Femmes sur la plage (Women on the Beach), Plate IV

Joan Miro (after) Femmes sur la plage (Women on the Beach), Plate IV

Series
Constellations: A Suite of Twenty-Two Pochoirs
Joan Miró
Spanish, 1893–1983
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Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more
Joan Miró, ‘Femmes sur la plage (Women on the Beach), Plate IV’, 1959, Georgetown Frame Shoppe
navigate left
Joan Miró, ‘Femmes sur la plage (Women on the Beach), Plate IV’, 1959, Georgetown Frame Shoppe
navigate right
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Bibliography
Georgetown Frame Shoppe
Washington DC
Follow

Joan Miro (after) Femmes sur la plage (Women on the Beach), Plate IV

Joan Miro (after) Femmes sur la plage (Women on the Beach), Plate IV

Series
Constellations: A Suite of Twenty-Two Pochoirs
Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more

Joan Miró

Femmes sur la plage (Women on the Beach), Plate IV, 1959

Pochoir
14 × 17 in
35.6 × 43.2 cm
Edition of 350
This is part of a limited edition set.
Contact For Price
location
Washington DC
Have a question? Read our FAQ.
Want to sell a work by this artist? Learn more.