Joan Miró, ‘Garden in Moonlight | Jardin au Clair de Lune’, 1973, Gilden's Art Gallery

This original lithograph in colours is hand signed in pencil by the artist ''Miró'' at the lower right margin.
The work is also hand numbered in pencil "40/100" at the lower left margin.
This lithograph was printed and published in a limited edition of 100 signed and numbered impressions in 1973 by Centre national d’art contemporain, Ministère des affaires culturelles, Paris.
The paper bears the Arches watermark.

Provenance: Private American collection. Purchased in the 1980's.

Literature: Mourlot, F. & Leiris, M. (1977). Joan Miró: Der Lithograph, Vol. V 1972-1975. Geneva: Weber.
Reference: Mourlot 896

Condition: Excellent condition

About Joan Miró

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

Spanish, 1893-1983, Barcelona, Spain, based in Paris and Catalonia, Spain