Joan Miró, ‘Jeune Fille au Long Cou’, 1981, DICKINSON
Joan Miró, ‘Jeune Fille au Long Cou’, 1981, DICKINSON
Joan Miró, ‘Jeune Fille au Long Cou’, 1981, DICKINSON
Joan Miró, ‘Jeune Fille au Long Cou’, 1981, DICKINSON

Signature: signed and justified

Manufacturer: cast in 1986 by Fonderia Artistica Bonvicini, Verona

Palma de Mallorca, Pelaires, Centre Cultural Contemporani, Lluna Miró: un segle, April 1993.
Sollerod, Denmark, Gammel Holtegaard-Breda Fonden, Mallorca Fra Miró til i tag, June – Aug. 1995.
Yorkshire Sculpture Park, Miró: Sculptor, 17 March – 6 Jan. 2013.

P. A. Serra, 101 enscultures a la Vall de Sóller, Palma de Mallorca, 1995, p. 81.
R. M. Malet, J. Dupin, Lluna Miró: Un Segle, exh. cat., Pelaires Centre Cultural Contemporani, Palma de Mallorca, 1993, p. 58
(illus. p. 59).
N. P. Stilling, J. O. Fuster, Mallorca Fra Miró til i dag, exh. cat., Gammel Holtegaard-Breda Fonden, Sollerod, Denmark, 1995
(illus. p. 37).
F. Basile, Joan Miró, Bologna, 1997, p. 223.
E. Fernández Miró, P. Ortega Chapel, Joan Miró, Sculptures: Catalogue raisonné, 1928 – 1982, Paris, 2006, p. 350, no. 377.

The Miró Family

About Joan Miró

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

Spanish, 1893-1983, Barcelona, Spain, based in Paris and Catalonia, Spain