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Original lithograph from Derrière le Miroir, No. 164-165, 1967
Printed by Mourlot for Galerie Maeght, Paris
37.5 x 55.5 cms
Frame Style: 23mm Oak Barefaced
Frame Size: 400 X 501mm
EXACT Image Size: 280 X 381mm
Top Mount Colour: Off White
Top Mount Borders: 60mm
2mm Clear Acrylic Glazing
MDF Backing and Hanging Fixtures

Medium
Condition
Excellent for its age
Signature
Not signed
Certificate of authenticity
Included
Frame
Included
Publisher
Maeght Editeur Paris

Widely considered one of the leading Surrealists (though he was never officially part of the group), Joan Miró was also a pioneer of Surrealists: a method of spontaneous drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic manner, developing intricate compositions and a wandering linear style that combined abstract elements with recurring motifs such as birds, eyes, and the moon. During his lifetime, Miró received the Grand Prize for Graphic Work at the 1954 Venice Biennale, exhibited at the first Documenta exhibition in 1955, and enjoyed multiple high-profile retrospectives. Today, Miró’s work—which has sold for eight figures at auction—can be found in the permanent collections of the Art Institute of Chicago and the Museum of Modern Art, among other institutions. His public sculptures and murals are installed in cities around the world, including Milan, Paris, and Barcelona.

High auction record
£23.6m, Sotheby's, 2012
Established
Represented by industry leading galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields
Selected exhibitions
2021
The Youngest Among Us All: Zao Wou-Ki on Joan MiróGaleria Mayoral
2019
Joan Miró: Birth of the WorldThe Museum of Modern Art
2015
Miró in the Rijksmuseum GardensRijksmuseum
View all

Joan Miro, L’Oiseau Solaire, L’Oiseau Lunaire, Etincelles, 1967

Velum paper
15 × 11 in
38.1 × 27.9 cm
.
£240
Location
Somerset
Certificate
This work includes a certificate of authenticity.
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Original lithograph from Derrière le Miroir, No. 164-165, 1967
Printed by Mourlot for Galerie …

Medium
Condition
Excellent for its age
Signature
Not signed
Certificate of authenticity
Included
Frame
Included
Publisher
Maeght Editeur Paris

Widely considered one of the leading Surrealists (though he was never officially part of the group), Joan Miró was also a pioneer of Surrealists: a method of spontaneous drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic manner, developing intricate compositions and a wandering linear style that combined abstract elements with recurring motifs such as birds, eyes, and the moon. During his lifetime, Miró received the Grand Prize for Graphic Work at the 1954 Venice Biennale, exhibited at the first Documenta exhibition in 1955, and enjoyed multiple high-profile retrospectives. Today, Miró’s work—which has sold for eight figures at auction—can be found in the permanent collections of the Art Institute of Chicago and the Museum of Modern Art, among other institutions. His public sculptures and murals are installed in cities around the world, including Milan, Paris, and Barcelona.

High auction record
£23.6m, Sotheby's, 2012
Established
Represented by industry leading galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields
Selected exhibitions (3)
Other works by Joan Miró
Related works