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Joan Miró, ‘La Fille du Jardinier No.1’, 1963, Hans den Hollander Prints
Joan Miró, ‘La Fille du Jardinier No.1’, 1963, Hans den Hollander Prints
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Joan Miró

La Fille du Jardinier No.1, 1963

Color lithograph
15 × 11 in
38 × 28 cm
This is a non-editioned multiple.
€175
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
About the work
Hans den Hollander Prints
Gouda

From Derrière le Miroir, Nos. 139 -140, June July 1963, a catalogue for Miro Artigas Céramiques …

From Derrière le Miroir, Nos. 139 -140, June July 1963, a catalogue for Miro Artigas Céramiques Monumentales. Edition c. 1000 (There was a separate signed edition of 90 impressions). Issued by Galerie Maeght, Paris 1963. Printed at the studio of Arte, Paris 1963.
Catalogue Raisonné: Maeght 279.

Medium
Print
Publisher
Maeght Editeur, Paris
Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

Joan Miró, ‘La Fille du Jardinier No.1’, 1963, Hans den Hollander Prints
Joan Miró, ‘La Fille du Jardinier No.1’, 1963, Hans den Hollander Prints
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Hans den Hollander Prints
Gouda

From Derrière le Miroir, Nos. 139 -140, June July 1963, a catalogue for Miro Artigas Céramiques …

From Derrière le Miroir, Nos. 139 -140, June July 1963, a catalogue for Miro Artigas Céramiques Monumentales. Edition c. 1000 (There was a separate signed edition of 90 impressions). Issued by Galerie Maeght, Paris 1963. Printed at the studio of Arte, Paris 1963.
Catalogue Raisonné: Maeght 279.

Medium
Print
Publisher
Maeght Editeur, Paris
Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

Joan Miró

La Fille du Jardinier No.1, 1963

Color lithograph
15 × 11 in
38 × 28 cm
This is a non-editioned multiple.
€175
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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Surrealism