Joan Miró, ‘La Jeteuse de sorts (The Spellcaster)’, 1981, Phillips
Joan Miró, ‘La Jeteuse de sorts (The Spellcaster)’, 1981, Phillips
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Joan Miró

La Jeteuse de sorts (The Spellcaster), 1981

Lithograph in colors, on Arches paper, with full margins.
35 2/5 × 24 4/5 in
89.8 × 63 cm
Edition 5/25
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About the work
Bibliography
P
Phillips

I. 31 1/8 x 20 7/8 in. (79 x 53 cm)
S. 35 3/8 x 24 3/4 in. (89.8 x 63 cm)

I. 31 1/8 x 20 7/8 in. (79 x 53 cm)
S. 35 3/8 x 24 3/4 in. (89.8 x 63 cm)

Signature
Signed and numbered 5/25 in pencil, authenticated by Rosa Maria Malet, director of the Fundació Joan Miró, Barcelona on the reverse and dated '18/XII/2013', published by Daniel Lelong éditeur, Paris, 1987, framed.
Joan Miró
Spanish, 1893–1983
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Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more
Joan Miró, ‘La Jeteuse de sorts (The Spellcaster)’, 1981, Phillips
Joan Miró, ‘La Jeteuse de sorts (The Spellcaster)’, 1981, Phillips
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Bibliography
P
Phillips

I. 31 1/8 x 20 7/8 in. (79 x 53 cm)
S. 35 3/8 x 24 3/4 in. (89.8 x 63 cm)

I. 31 1/8 x 20 7/8 in. (79 x 53 cm)
S. 35 3/8 x 24 3/4 in. (89.8 x 63 cm)

Signature
Signed and numbered 5/25 in pencil, authenticated by Rosa Maria Malet, director of the Fundació Joan Miró, Barcelona on the reverse and dated '18/XII/2013', published by Daniel Lelong éditeur, Paris, 1987, framed.
Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more

Joan Miró

La Jeteuse de sorts (The Spellcaster), 1981

Lithograph in colors, on Arches paper, with full margins.
35 2/5 × 24 4/5 in
89.8 × 63 cm
Edition 5/25
Bidding closed
Want to sell a work by this artist? Learn more.