Joan Miró, ‘La Melodie Acide Number 6 ’, 1980, Fairhead Fine Art Limited
Joan Miró, ‘La Melodie Acide Number 6 ’, 1980, Fairhead Fine Art Limited
Joan Miró, ‘La Melodie Acide Number 6 ’, 1980, Fairhead Fine Art Limited

Edition: A Hors commerce (HC) Edition :Maeght called for 11 copies, on Japan Nacre, signed marked HC - HC A to HC H
There were also 7 copies, on Japan Nacre, signed and numbered I/VII to VII/VII
145 copies of the book were printed on Velin Arches paper with this book came unsigned works on various papers.
A further 1500 copies of the 14 Lithographs were printed on Velin d’Arches paper (33 x 25) cms with the printed signature of Miro and numbered 1/1500 to 1500/1500
Printed by: La Poligrafa, S A, Barcelona
Note: This was part of a series of 14 Lithographs made to accompany the book. Condition: Generally in good condition with fresh colours. A crease across the margin and signature.

Signature: signed in pencil

Publisher: Editions Poligrafa, Barcelona, Spain

Maeght: “Joan Miro Lithographs” Volume IV (Catalogue Raisonne) - number 1217, page 143
Cramer: “Joahn Miro, The Illustrated books” Number 248

About Joan Miró

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

Spanish, 1893-1983, Barcelona, Spain, based in Paris and Catalonia, Spain