Joan Miró
Lapidari "Llibre de les propietats de les pedres" (Lapidary "Book of the Property of Stones"), 1981
all S. folded 35.6 x 50 cm (14 x 19 5/8 in.)
all S. unfolded 35.6 x 100 cm (14 x 39 3/8 in.)
…
all S. folded 35.6 x 50 cm (14 x 19 5/8 in.)
all S. unfolded 35.6 x 100 cm (14 x 39 3/8 in.)
portfolio 40 x 53.5 x 6.5 cm (15 3/4 x 21 1/8 x 2 1/2 in.)
From the Catalogue:
As Jacques Dupin wrote in the last volume of the artist’s catalogue raisonné of gravures: ‘Lapidari’ is a large book: 24 engravings respond to 12 …
Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …
Read moreJoan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …
Read moreall S. folded 35.6 x 50 cm (14 x 19 5/8 in.)
all S. unfolded 35.6 x 100 cm (14 x 39 3/8 in.)
…
all S. folded 35.6 x 50 cm (14 x 19 5/8 in.)
all S. unfolded 35.6 x 100 cm (14 x 39 3/8 in.)
portfolio 40 x 53.5 x 6.5 cm (15 3/4 x 21 1/8 x 2 1/2 in.)
From the Catalogue:
As Jacques Dupin wrote in the last volume of the artist’s catalogue raisonné of gravures: ‘Lapidari’ is a large book: 24 engravings respond to 12 …
Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …
Read moreJoan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …
Read more
