Joan Miró, ‘L'Arrivée du Chevalier’, 1974, Rago
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Joan Miró

L'Arrivée du Chevalier, 1974

Lithograph in colors (framed)
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About the work
R
Rago

19 3/4" x 28 3/4" (sight)

Printer/Publisher: Maeght, Paris

Literature: Mourlot 928

Read more

19 3/4" x 28 3/4" (sight)

Printer/Publisher: Maeght, Paris

Literature: Mourlot 928

Provenance: Private Collection, Florida

Signature
Signed and numbered 22/50
Joan Miró
Spanish, 1893–1983
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Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more
Joan Miró, ‘L'Arrivée du Chevalier’, 1974, Rago
navigate left
Joan Miró, ‘L'Arrivée du Chevalier’, 1974, Rago
navigate right
Save
Save
share
Share
Save
Save
share
Share
About the work
R
Rago

19 3/4" x 28 3/4" (sight)

Printer/Publisher: Maeght, Paris

Literature: Mourlot 928

Read more

19 3/4" x 28 3/4" (sight)

Printer/Publisher: Maeght, Paris

Literature: Mourlot 928

Provenance: Private Collection, Florida

Signature
Signed and numbered 22/50
Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more

Joan Miró

L'Arrivée du Chevalier, 1974

Lithograph in colors (framed)
Bidding closed
Want to sell a work by this artist? Learn more.