Bold Red Art for Your Home
A high-quality vintage pochoir on wove after a painting by Spanish artist Joan Miro (1893-1983) titled "Le Ete", 1938. Comes from the famous "Verve" portfolio, Volume 1, Number 3. Produced in a limited edition of 6,500. Printed and published by "Verve", Paris, France, 1938. Another Miro lithograph on verso. Reference: Dupin 1310; Benhoura 396. Sheet size: 14" x 10.5". Small repair upper left corner, in very good condition.
"Verve" was a modernist Parisian art magazine published by Teriade between 1937 and 1960. The magazine was first published in December 1937. The headquarters of the magazine was in Paris. It published 38 issues in 10 volumes including lithographs by the most prominent artists of the Parisian art scene of the first half of the 20th century. In addition, the early contributors included James Joyce and Ernest Hemingway. The magazine folded in 1960.
Joan Miró was one of the most critically acclaimed artists of the 20th century. He pioneered the transformation of the two-dimensional picture plane into a receptacle of personal dreams and imagery, characterized by the suppression of descriptive detail. As a painter, sculptor, ceramicist, muralist, and printmaker, he created a visual vocabulary unique in the 20th century and had an enormous impact on the course of modern art. Miró was a brilliantly innovative artist who absorbed and then went beyond all the major art movements of his formative years: Impressionism, Cubism, Fauvism, Dadaism, and Surrealism.
Miró was strongly influenced by his Catalan heritage from the primary colors of local Romanesque frescoes to the curving, undulating lines and organic forms of Gaudi's architecture. After moving to Paris in the 1920 he was strongly influenced by the Surrealists, in particular the concepts of automatism (allowing the subconscious to dictate forms) and the exploitation of accidents. His work of the 1920s and 1930s thrust him to the forefront of the Surrealist movement. He revered the Surrealist poets becoming close friends with many and later collaborating with them on many artists' books, for which he contributed the illustrations to their poetry.
His interest in printmaking went beyond the books and he worked extensively in etching, aquatint, and lithography on small and large-scale works throughout his career. His vision of vast conceptual spaces populated by strange, playful organisms is a world that exists only in the dreams and desires of the imagination. It evolves out of an atmosphere of spontaneity in which the artist's conception of reality is inseparable from his inner experience. His masterful use of color, his creation of a pictorial language which functioned as both symbol and design, and ultimately his achievement of an art in which emotion and form had become identical, are unique amongst the 20th century masters.
Series: Comes from the famous "Verve" portfolio, Volume 1, 1938
Image rights: Copyright © Graves International Art
Reference: Dupin 1310; Benhoura 396
Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.
Spanish, 1893-1983, Barcelona, Spain, based in Paris and Catalonia, Spain
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