Joan Miró, ‘Le Sarrasin à l'étoile bleue (Saracen with Blue Star)’, 1973, Phillips
Joan Miró, ‘Le Sarrasin à l'étoile bleue (Saracen with Blue Star)’, 1973, Phillips
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Joan Miró

Le Sarrasin à l'étoile bleue (Saracen with Blue Star), 1973

Etching and aquatint in colors with carborundum, on Arches paper, the full sheet.
54 2/5 × 23 7/10 in
138.3 × 60.3 cm
Edition of 50
Bidding closed
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About the work
Bibliography
P
Phillips

S. 54 1/2 x 23 3/4 in. (138.3 x 60.3 cm)

S. 54 1/2 x 23 3/4 in. (138.3 x 60.3 cm)

Signature
Signed and annotated 'H.C' in white pencil (an hors commerce, the edition was 50), authenticated by Rosa Maria Malet, director of the Fundació Joan Miró, Barcelona on the reverse and dated '2 Octobre 2008', published by Maeght, Paris, framed.
Joan Miró
Spanish, 1893–1983
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Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more
Joan Miró, ‘Le Sarrasin à l'étoile bleue (Saracen with Blue Star)’, 1973, Phillips
Joan Miró, ‘Le Sarrasin à l'étoile bleue (Saracen with Blue Star)’, 1973, Phillips
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Bibliography
P
Phillips

S. 54 1/2 x 23 3/4 in. (138.3 x 60.3 cm)

S. 54 1/2 x 23 3/4 in. (138.3 x 60.3 cm)

Signature
Signed and annotated 'H.C' in white pencil (an hors commerce, the edition was 50), authenticated by Rosa Maria Malet, director of the Fundació Joan Miró, Barcelona on the reverse and dated '2 Octobre 2008', published by Maeght, Paris, framed.
Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more

Joan Miró

Le Sarrasin à l'étoile bleue (Saracen with Blue Star), 1973

Etching and aquatint in colors with carborundum, on Arches paper, the full sheet.
54 2/5 × 23 7/10 in
138.3 × 60.3 cm
Edition of 50
Bidding closed
Want to sell a work by this artist? Learn more.