Joan Miró, ‘Les Deux Amis’, 1969, Christie's

PROPERTY FROM THE ESTATE OF ROSAMOND BERNIER
Signed in pencil, numbered 23/75, published by Maeght éditeur, Paris, with full margins, uneven mat staining, taped to an overmat on the reverse of the upper sheet edge (showing through), framed
Image: 27 7/8 x 41 7/8 in. (705 x 1065 mm.)
Sheet: 37 ½ x 55 1/8 in. (955 x 1400 mm.)

Dupin 493

About Joan Miró

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

Spanish, 1893-1983, Barcelona, Spain, based in Paris and Catalonia, Spain