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Joan Miró

Les Pénalités de l'Enfer ou les Nouvelles-Hébrides (The Penalties of Hell or the New Hebrides), 1974

The complete set of 25 lithographs (5 in black and 20 in colours), title page, text in French and justification, including an additional suite of six lithographs (one with additions in red ball-point pen), on Arches paper, the full sheets, folded and loose (as issued), the set of 25 contained in the original paper boards with the first lithograph printed on the front, spine and back, the additional suite contained in a beige paper folder titled documents 1929, all contained in the original orange cloth-covered box with the artist's and author's name printed on the spine.
Edition of 200
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About the work
Bibliography
P
Phillips

Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

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Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)

unfolded S. 27 x 75 cm (10 5/8 x 29 1/2 in.)
portfolio 40 x 29.5 x 6.5 cm (15 3/4 x 11 5/8 x 2 1/2 in.)

Please note that the additional …

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Signature
Signed in red crayon and annotated ‘Exemplaire de Guy Veliot’ (printed) on the justification (the edition was 200, the first 50 copies were issued with separate suites of the lithographies refusées, there were also 20 hors commerce copies in Roman numerals), published by Maeght, Paris.
Joan Miró
Spanish, 1893–1983
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Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more
Save
Save
share
Share
Save
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share
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About the work
Bibliography
P
Phillips

Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

Read more

Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)

unfolded S. 27 x 75 cm (10 5/8 x 29 1/2 in.)
portfolio 40 x 29.5 x 6.5 cm (15 3/4 x 11 5/8 x 2 1/2 in.)

Please note that the additional …

Read more
Signature
Signed in red crayon and annotated ‘Exemplaire de Guy Veliot’ (printed) on the justification (the edition was 200, the first 50 copies were issued with separate suites of the lithographies refusées, there were also 20 hors commerce copies in Roman numerals), published by Maeght, Paris.
Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more

Joan Miró

Les Pénalités de l'Enfer ou les Nouvelles-Hébrides (The Penalties of Hell or the New Hebrides), 1974

The complete set of 25 lithographs (5 in black and 20 in colours), title page, text in French and justification, including an additional suite of six lithographs (one with additions in red ball-point pen), on Arches paper, the full sheets, folded and loose (as issued), the set of 25 contained in the original paper boards with the first lithograph printed on the front, spine and back, the additional suite contained in a beige paper folder titled documents 1929, all contained in the original orange cloth-covered box with the artist's and author's name printed on the spine.
Edition of 200
Bidding closed
Want to sell a work by this artist? Learn more.