Joan Miró, ‘L'ÉTRANGÈRE (M. 184)’, 1958, Doyle
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Joan Miró, ‘L'ÉTRANGÈRE (M. 184)’, 1958, Doyle
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Joan Miró

L'ÉTRANGÈRE (M. 184), 1958

Color lithograph
Edition 23/75
Bidding closed
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About the work
D
Doyle

On Arches paper, signed and numbered 23/75 in pencil, published by Maeght, Paris, with full …

Read more

On Arches paper, signed and numbered 23/75 in pencil, published by Maeght, Paris, with full margins, framed.

Sheet 26 x 20 1/8 inches; 660 x 511 mm.

Joan Miró
Spanish, 1893–1983
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Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more
Joan Miró, ‘L'ÉTRANGÈRE (M. 184)’, 1958, Doyle
navigate left
Joan Miró, ‘L'ÉTRANGÈRE (M. 184)’, 1958, Doyle
navigate right
Save
Save
share
Share
Save
Save
share
Share
About the work
D
Doyle

On Arches paper, signed and numbered 23/75 in pencil, published by Maeght, Paris, with full …

Read more

On Arches paper, signed and numbered 23/75 in pencil, published by Maeght, Paris, with full margins, framed.

Sheet 26 x 20 1/8 inches; 660 x 511 mm.

Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more

Joan Miró

L'ÉTRANGÈRE (M. 184), 1958

Color lithograph
Edition 23/75
Bidding closed
Want to sell a work by this artist? Learn more.