Joan Miró, ‘L’Invitée du Dimanche III (Sunday Guest III)’, 1969, Phillips
Joan Miró, ‘L’Invitée du Dimanche III (Sunday Guest III)’, 1969, Phillips
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Joan Miró

L’Invitée du Dimanche III (Sunday Guest III), 1969

Etching in colours, on Arches 80 paper, with full margins.
31 1/2 × 47 4/5 in
80 × 121.3 cm
Edition 7/75
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About the work
Bibliography
P
Phillips

Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

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Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)

I. 59.6 x 99 cm (23 1/2 x 38 7/8 in.)
S. 80 x 121.3 cm (31 1/2 x 47 3/4 in.)

Signature
Signed and numbered 7/75 in pencil (there were also some hors commerce impressions), published by Maeght, Paris, framed.
Joan Miró
Spanish, 1893–1983
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Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more
Joan Miró, ‘L’Invitée du Dimanche III (Sunday Guest III)’, 1969, Phillips
Joan Miró, ‘L’Invitée du Dimanche III (Sunday Guest III)’, 1969, Phillips
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Bibliography
P
Phillips

Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

Read more

Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)

I. 59.6 x 99 cm (23 1/2 x 38 7/8 in.)
S. 80 x 121.3 cm (31 1/2 x 47 3/4 in.)

Signature
Signed and numbered 7/75 in pencil (there were also some hors commerce impressions), published by Maeght, Paris, framed.
Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more

Joan Miró

L’Invitée du Dimanche III (Sunday Guest III), 1969

Etching in colours, on Arches 80 paper, with full margins.
31 1/2 × 47 4/5 in
80 × 121.3 cm
Edition 7/75
Bidding closed
Want to sell a work by this artist? Learn more.