![Joan Miró, ‘Lithographie II [Maeght 1A]’, 1930, Roseberys](https://d32dm0rphc51dk.cloudfront.net/JxHN7juewYm9kp9P_ULySA/large.jpg)
Joan Miró
Lithographie II [Maeght 1A], 1930
signed in pencil and inscribed H.C
an hors commerce impression aside from the edition of 50
printed …
Read moresigned in pencil and inscribed H.C
an hors commerce impression aside from the edition of 50
printed in 1973
published by Sala Gaspar, Barcelona and Galerie Gérland Cramer, Geneva
sheet 56.5 x 45 cm (framed) (ARR)
Please refer to department for condition report
Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …
Read moreJoan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …
Read moresigned in pencil and inscribed H.C
an hors commerce impression aside from the edition of 50
printed …
Read moresigned in pencil and inscribed H.C
an hors commerce impression aside from the edition of 50
printed in 1973
published by Sala Gaspar, Barcelona and Galerie Gérland Cramer, Geneva
sheet 56.5 x 45 cm (framed) (ARR)
Please refer to department for condition report
Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …
Read moreJoan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …
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