Joan Miró—the Surrealist famous for his biomorphic and abstract paintings—was also a prolific printmaker, creating over 1,000 lithographs over the course of his career. Indeed, Miró’s first prints were lithographs, a printmaking method that enables artists to draw directly on a stone slab or metal plate. Created in 1930, these early lithographs accompanied a book of poetry by Tristan Tzara and jumpstarted Miró’s lifelong love of the lithography technique. From from 1954 to 1958, Miró nearly gave up painting altogether to focus on these prints, earning him the Grand Prize for Graphic Work at the Venice Biennale in 1954. Some of Miró’s lithographs, such as his collaborations with the fine art publisher Derrière le Miroir, recreate his paintings on paper, while many others, such as his 1944 “Barcelona” series, are entirely new designs that explore the possibilities of the lithography technique.

This image derives from the ëMaravillas Con Variaciones Acrosticas En El Jardin De Miro" portfolio of 20 lithographs. Not hand-signed and not hand-numbered, but signed in the plate. Fully referenced in Miro Lithographs Volume V., pages 162-173, Numbers1053-1072. This piece is from the 1975 printed edition of 1500.In this series Miro was inspired and fascinated by the natural elements of the garden; the little creatures, the marvels, to whom he gave life. The Maravillas†are full of surprising elements, bold in colors and details, and full of movement. Miro explored all the resources and possibilities available to the medium of lithography, coming close to reaching its true essence.