Joan Miró was a key figure in the development of automatic drawing, though he resisted the confines of Surrealism. Rather, he integrated numerous perspectives into his work, including color field painting, lyrical abstraction, and expressionism. Palotin Giron, 1955, is exemplary of this melange of styles. An allusion to the Twelve Peers, the foremost warriors of Charlemagne’s court, the solidity of the composition carries the fortitude of its subject.
Dimensions are framed
Paper size: 30 x 22 in.
- Materials
- Lithograph printed on Arches paper
- Size
- 42 1/4 × 35 in | 107.3 × 88.9 cm
- Rarity
- Medium
- Excellent
- Signature
- Hand-signed by artist, sticker label, Hand-signed and dated lower right; numbered 7/50 lower left
- Certificate of authenticity
- Included
- Frame
- Included
- Publisher
- Published in 1955 by Galerie Maeght, Paris
Palotin Giron, 1955
Joan Miró was a key figure in the development of automatic drawing, though he resisted the confines of Surrealism. Rather, he integrated numerous perspectives into his work, including color field painting, lyrical abstraction, and expressionism. Palotin Giron, 1955, is exemplary of this melange of styles. An allusion to the Twelve Peers, the foremost warriors of Charlemagne’s court, the solidity of the composition carries the fortitude of its subject.
Dimensions are framed
Paper size: 30 x 22 in.
- Materials
- Lithograph printed on Arches paper
- Size
- 42 1/4 × 35 in | 107.3 × 88.9 cm
- Rarity
- Medium
- Excellent
- Signature
- Hand-signed by artist, sticker label, Hand-signed and dated lower right; numbered 7/50 lower left
- Certificate of authenticity
- Included
- Frame
- Included
- Publisher
- Published in 1955 by Galerie Maeght, Paris
