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Joan Miró

Partie de Campagne IV, 1967

Etching with Aquatint
37 × 49 × 1 in
94 × 124.5 × 2.5 cm
Edition 55/75
This is part of a limited edition set.
Sold
Location
Long Island City
Want to sell a work by this artist? Consign with Artsy.
About the work

In 1938, the Surrealist Joan Miró met the master printer Louis Marcoussis and quickly became …

Read more

In 1938, the Surrealist Joan Miró met the master printer Louis Marcoussis and quickly became enamored by etching, an intaglio technique of incising a design onto a metal plate. When travel pulled Miró away from Marcoussis’s studio, he sent him letters about his budding interests in the medium. “My dear friend,” he

Read more
RoGallery
Long Island City
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Artist: Joan Miro
Title: Partie de Campagne IV
Year: 1967
Medium: Etching and Aquatint, …

Read more

Artist: Joan Miro
Title: Partie de Campagne IV
Year: 1967
Medium: Etching and Aquatint, Signed and numbered in pencil
Edition: 55/75
Paper Size: 29.75 x 43 inches; 75.6 x 109.2 cm
Image Size: 23 x 36.5 in.; 58.4 x 92.7 cm
Frame: 37 x 49 inches; 94 x 124.5 cm

Printer: Arte Adrien Maeght, Paris
Publisher: …

Read more
Medium
Print
Condition
Excellent, consistent with age.
Signature
Hand-signed by artist, Signed and numbered in pencil below image.
Certificate of authenticity
Not included
Frame
Included
Publisher
Maeght, Paris
Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

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Navigate right
Save
Save
View
View in room
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Save
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View
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About the work

In 1938, the Surrealist Joan Miró met the master printer Louis Marcoussis and quickly became …

Read more

In 1938, the Surrealist Joan Miró met the master printer Louis Marcoussis and quickly became enamored by etching, an intaglio technique of incising a design onto a metal plate. When travel pulled Miró away from Marcoussis’s studio, he sent him letters about his budding interests in the medium. “My dear friend,” he

Read more
RoGallery
Long Island City
Follow

Artist: Joan Miro
Title: Partie de Campagne IV
Year: 1967
Medium: Etching and Aquatint, …

Read more

Artist: Joan Miro
Title: Partie de Campagne IV
Year: 1967
Medium: Etching and Aquatint, Signed and numbered in pencil
Edition: 55/75
Paper Size: 29.75 x 43 inches; 75.6 x 109.2 cm
Image Size: 23 x 36.5 in.; 58.4 x 92.7 cm
Frame: 37 x 49 inches; 94 x 124.5 cm

Printer: Arte Adrien Maeght, Paris
Publisher: …

Read more
Medium
Print
Condition
Excellent, consistent with age.
Signature
Hand-signed by artist, Signed and numbered in pencil below image.
Certificate of authenticity
Not included
Frame
Included
Publisher
Maeght, Paris
Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

Joan Miró

Partie de Campagne IV, 1967

Etching with Aquatint
37 × 49 × 1 in
94 × 124.5 × 2.5 cm
Edition 55/75
This is part of a limited edition set.
Sold
Location
Long Island City
Want to sell a work by this artist? Consign with Artsy.
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