Joan Miró, ‘Plate 2 from: Quatre colors aparien el món’, 1974, Christie's

Signed, dated 17/II/74. and inscribed Bat. in pencil, a bon à tirer impression before the edition of fifty published by Editorial Gustavo Gili, Barcelona, 1975, the full sheet, deckle edges at right and left, a short flattened crease at the upper left corner, a short tear at the upper right sheet edge, otherwise in good condition, framed.
Plate & Sheet 898 x 640 mm.

Christie's Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

Dupin 823; see Cramer Books 213

Editorial Gustavo Gili, Barcelona.

About Joan Miró

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

Spanish, 1893-1983, Barcelona, Spain, based in Paris and Catalonia, Spain