![Joan Miró, ‘Plate 7 from Le Lézard aux Plumes D'or [Maeght 803]’, 1971, Roseberys](https://d32dm0rphc51dk.cloudfront.net/umBO5ctG1WFT2uv51JcLRA/large.jpg)
Joan Miró
Plate 7 from Le Lézard aux Plumes D'or [Maeght 803], 1971
signed and numbered IX/XX in pencil
sheet 40.8 x 56cm (unframed) (ARR)
Please refer to department …
Read moresigned and numbered IX/XX in pencil
sheet 40.8 x 56cm (unframed) (ARR)
Please refer to department for condition report
Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …
Read moreJoan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …
Read moresigned and numbered IX/XX in pencil
sheet 40.8 x 56cm (unframed) (ARR)
Please refer to department …
Read moresigned and numbered IX/XX in pencil
sheet 40.8 x 56cm (unframed) (ARR)
Please refer to department for condition report
Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …
Read moreJoan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …
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