Joan Miró
SANS LE SOLEIL (D. 404; C. BOOKS 98), 1965
On wove paper, signed and numbered 43/75 in pencil, from the same-titled portfolio, printed and …
Read moreOn wove paper, signed and numbered 43/75 in pencil, from the same-titled portfolio, printed and published by Maeght, Paris, with full margins, framed.
Sheet 8 5/8 x 11 3/8 inches; 219 x 289 mm.
Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …
Read moreJoan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …
Read moreOn wove paper, signed and numbered 43/75 in pencil, from the same-titled portfolio, printed and …
Read moreOn wove paper, signed and numbered 43/75 in pencil, from the same-titled portfolio, printed and published by Maeght, Paris, with full margins, framed.
Sheet 8 5/8 x 11 3/8 inches; 219 x 289 mm.
Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …
Read moreJoan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …
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