Joan Miró, ‘SANS LE SOLEIL (SEE DUPIN 408; SEE CRAMER BOOKS 98)’, 1965, Doyle
navigate left
Joan Miró, ‘SANS LE SOLEIL (SEE DUPIN 408; SEE CRAMER BOOKS 98)’, 1965, Doyle
navigate right
Save
Save
share
Share
Save
Save
share
Share

Joan Miró

SANS LE SOLEIL (SEE DUPIN 408; SEE CRAMER BOOKS 98), 1965

Color etching and aquatint
Edition 11/25
Bidding closed
Want to sell a work by this artist? Learn more.
About the work
D
Doyle

On cream laid paper, signed and numbered 11/25 in pencil, from the additional suite for the …

Read more

On cream laid paper, signed and numbered 11/25 in pencil, from the additional suite for the same-titled portfolio, printed and published by Maeght, Paris, with full margins, framed.

Sheet 8 3/4 x 11 1/4 inches; 222 x 286 mm.

Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more
Joan Miró, ‘SANS LE SOLEIL (SEE DUPIN 408; SEE CRAMER BOOKS 98)’, 1965, Doyle
navigate left
Joan Miró, ‘SANS LE SOLEIL (SEE DUPIN 408; SEE CRAMER BOOKS 98)’, 1965, Doyle
navigate right
Save
Save
share
Share
Save
Save
share
Share
About the work
D
Doyle

On cream laid paper, signed and numbered 11/25 in pencil, from the additional suite for the …

Read more

On cream laid paper, signed and numbered 11/25 in pencil, from the additional suite for the same-titled portfolio, printed and published by Maeght, Paris, with full margins, framed.

Sheet 8 3/4 x 11 1/4 inches; 222 x 286 mm.

Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more

Joan Miró

SANS LE SOLEIL (SEE DUPIN 408; SEE CRAMER BOOKS 98), 1965

Color etching and aquatint
Edition 11/25
Bidding closed
Want to sell a work by this artist? Learn more.