Joan Miró, ‘Sculptures II’, 1974, Rago
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Joan Miró

Sculptures II, 1974

Lithograph in colors (framed)
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About the work
R
Rago

16" x 24 1/4" (sight, irregular)

Publisher: Maeght, Paris

Literature: Mourlot 949

Read more

16" x 24 1/4" (sight, irregular)

Publisher: Maeght, Paris

Literature: Mourlot 949

Provenance: Private Collection, Pennsylvania

Signature
Signed and numbered 60/100
Joan Miró
Spanish, 1893–1983
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Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more
Joan Miró, ‘Sculptures II’, 1974, Rago
navigate left
Joan Miró, ‘Sculptures II’, 1974, Rago
navigate right
Save
Save
share
Share
Save
Save
share
Share
About the work
R
Rago

16" x 24 1/4" (sight, irregular)

Publisher: Maeght, Paris

Literature: Mourlot 949

Read more

16" x 24 1/4" (sight, irregular)

Publisher: Maeght, Paris

Literature: Mourlot 949

Provenance: Private Collection, Pennsylvania

Signature
Signed and numbered 60/100
Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …

Read more

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …

Read more

Joan Miró

Sculptures II, 1974

Lithograph in colors (framed)
Bidding closed
Want to sell a work by this artist? Learn more.