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Joan Miró, ‘Sur quatre murs’, 1951, Heritage Auctions
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Joan Miró

Sur quatre murs, 1951

Lithograph in colors
10 3/10 × 31 1/4 in
26.2 × 79.4 cm
Bidding closed
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About the work
Bibliography
HA
Heritage Auctions

Framed: 23in x 41.75in x 0in

Medium
Print
Signature
Signed and dated in pencil in lower margin
Publisher
Maeght Éditeur, Paris Printed by Mourlot, Paris
Image rights
Courtesy of Heritage Auctions
Joan Miró
Spanish, 1893–1983
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Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

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Joan Miró, ‘Sur quatre murs’, 1951, Heritage Auctions
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Save
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View
View in room
Share
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About the work
Bibliography
HA
Heritage Auctions

Framed: 23in x 41.75in x 0in

Medium
Print
Signature
Signed and dated in pencil in lower margin
Publisher
Maeght Éditeur, Paris Printed by Mourlot, Paris
Image rights
Courtesy of Heritage Auctions
Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

Joan Miró

Sur quatre murs, 1951

Lithograph in colors
10 3/10 × 31 1/4 in
26.2 × 79.4 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Joan Miró
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Surrealism