Joan Miró, ‘The Convict | Le Bagnard’, 1969, Gilden's Art Gallery

This original lithograph is hand signed in pencil by the artist "Miró" at the lower left corner.
It is also hand numbered in pencil "58/75" at the centre of the lower image.
It was printed in 1969 in a limited edition of 75 signed and numbered impressions.
It was printed by Arte Adrien Maeght, Paris and published by Maeght Éditeur, Paris in 1969.

Literature: Mourlot, F. & Leiris, M. (1977). Joan Miró: Der Lithograph, Vol. III 1964-1969. Geneva: Weber.
Reference: Mourlot 526

Condition: Excellent condition.

Publisher: Maeght Éditeur

About Joan Miró

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

Spanish, 1893-1983, Barcelona, Spain, based in Paris and Catalonia, Spain